All the time people concerns heavily on the spatial factors in materials in exhibition design, but take less experiences on the other dimension – the time factors, it goes wrongly as the aesthetics experiences in design happens not only in a occupied space but also in a occupied time range, to a observer, it will take long time evolutions to manage to define the artwork from after experiencing the subtle, unlimited, and illusional movements. Thus the time can be freely controlled and efficiently exploited by the designer, it helps to draw the observer into the design world, thus played the great important role in exhibition design.

Another entrance where time factors involved in the artwork design is the time consumption one take to observe and research on it, in some degrees, the shorter or longer time one takes to invest on a design artwork, is itself a hint to illustrate if it’s a successful artwork design or not, also it embodies the functions in the corresponding entity size. The Controlled time distinguished well from the time a observer costs to wander in the artwork world, some exhibition booth construct design plan evolves with the changing time, and they are called live art as some pictures illustrated.

The motion illusions: a static artwork can be process to move as time changes, In many modern exhibition design cases, more and more time factors were applied in them, the advance multimedia technologies add great bonus to the connotations in exhibition design, to let the observer experience the inversion in space and time in exhibition design.

原文來(lái)源于www.omaten.com